Cut/Paste treats identity as actively built through cutting, layering, masking, and recombination. Visual seams are left visible rather than resolved, emphasizing process and fragmentation as conditions of the contemporary self. Cultural references, personal memory, digital artifacts, and painterly traditions exist without hierarchy, mirroring how identity is assembled across platforms, histories, and geographies.
I see my studio as a site of research and reassembly where hybrid identities are not problems to be solved but tools to be sharpened. My practice necessarily includes writing, mentorship, and sustained engagement with history, economics, anthropology, and language. Studio rigour and intellectual inquiry are parallel roads that inform my work,
Ultimately, I want viewers to understand that identity, personal, societal or at any scale is not singular or stable. It is made, masked, edited, and performed, on canvas, in code, and in everyday life.
Exhibition Shots
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Shot from Cut/Paste Exhibition
Activity wall where patrons cut and paste and asssembled something new.
Full Image, 2026
Detail
Detail Shot
Detail Shot
Detail Shot
Detail Shot
Exhibition Shot
Shot form Cut/Paste Exhibition